教训金它从来不是为了说这三个字，即使他们有时善意的，但不敏感的夸奖。 “你可以不爱她，如果她是你自己。 ”
工 作 Lesson Thirteen Work 究竟工作是幸福还是痛苦的源泉，这可能是一个难以回答的问题。 Whether work should be placed among the causes of happiness or among the causes of unhappiness may perhaps be regarded as a doubtful question. 毫无疑问有许多工作是非常令人厌烦的，而且过多的工作总是十分痛苦的事。 There is certainly much work which is exceedingly irksome， and an excess of work is always very painful. 然而我认为，只要不过量，对多数人来说即使是最枯燥的工作也比终日无所事事要好些。 I think， however， that， provided work is not excessive in amount， even the dullest work is to most people less painful than idleness. 工作给人的愉快的程度多种多样，从仅仅是消烦解闷到产生巨大的快乐，这会随工作的性质和工作者的能力而异。 There are in work all grades， from mere relief of tedium up to the profoundest delights， according to the nature of the work and the abilities of the worker. 大多数人不得不从事的工作本身大都无乐趣可言，但即使是这样的工作也有一些很大的好处。 Most of the work that most people have to do is not in itself interesting， but even such work has certain great advantages. 首先，工作可将一天的许多时间占满，人们不必再费神来决定应干些什么，大多数人在可以自由地按自己的愿望打发时间时，常常会不知所措，想不起有什么令人愉快的事值得去做。 To begin with， it fills a good many hours of the day without the need of deciding what one shall do. Most people， when they are left free to fill their own time according to their own choice， are at a loss to think of anything sufficiently pleasant to be worth doing. 而他们的决定又总是受到干扰，觉得干别的什么事也许会更令人愉快。 And whatever they decide on， they are troubled by the feeling that something else would have been pleasanter. 能够有意义地利用闲暇时间是文明发展到阶段的结果，而目前很少有人能达到这一层次。 To be able to fill leisure intelligently is the last product of civilization， and at present very few people have reached this level. 何况作出选择本身就是件令人厌烦的事。 Moreover the exercise of choice is in itself tiresome. 除了那些具有非凡主动性的人，其他的人肯定有人乐于被告诉一天中的每时每刻该做什么，当然命令他们做的事不能太令人厌烦。 Except to people with unusual initiative it is positively agreeable to be told what to do at each hour of the day， provided the orders are not too unpleasant. 多数无所事事的阔佬免遭从事单调乏味工作之苦，但代价是莫名其妙的无聊。 Most of the idle rich suffer unspeakable boredom as the price of their freedom from drudgery. 有时他们去非洲猎取巨兽或环绕世界飞行来解闷，但这类刺激的数量有限，尤其到了中年以后更是如此。 At times they may find relief by hunting big game in Africa， or by flying round the world， but the number of such sensations is limited， especially after youth is past. 因此较为明智的阔佬们工作起来几乎像穷人一样卖力，而有钱的女人则大多忙于她们自以为具有震撼世界般重要性的无数琐事。 Accordingly the more intelligent rich men work nearly as hard as if they were poor， while rich women for the most part keep themselves busy with innumerable trifles of whose earthshaking importance they are firmly persuaded. 因此人们愿意工作，首先因为工作可防止产生无聊感。比起终日无所事事而造成的无聊来，人们在干着虽必要但缺乏兴趣的工作时所感到的枯燥无聊就不值一提了。 Work therefore is desirable， first and foremost， as a preventive of boredom， for the boredom that a man feels when he is doing necessary though uninteresting work is as nothing in comparison with the boredom that he feels when he has nothing to do with his days. 与工作的这一好处相关的还有一个好处，那就是假日到来会令人感到更加美妙。只要一个人的工作不至于累得他体力不支，那么他就会从他的闲暇时间里得到无所事事的人绝对得不到的极大乐趣。 With this advantage of work another is associated， namely that it makes holidays much more delicious when they come. Provided a man does not have to work so hard as to impair his vigor， he is likely to find far more zest in his free time than an idle man could possibly find. 多数有报酬的工作和某些没有报酬的工作还有第二个好处，那就是它们提供了成功的机会和实现抱负的可能。 The second advantage of most paid work and of some unpaid work is that it gives chances of success and opportunities for ambition. 在多数工作中，收入的多少是衡量成功与否的标准，当我们这个资本主义社会继续存在时，这是不可避免的。 In most work success is measured by income and while our capitalistic society continues， this is inevitable. 只有在工作的情况下收入才不再被用作当然的衡量标准。 It is only where the best work is concerned that this measure ceases to be the natural one to apply. 人们想增加收入当然是出自钱多了可以获得更多的舒适享受这一愿望，但同样也出自想获得成功的愿望。 The desire that men feel to increase their income is quite as much a desire for success as for the extra comforts that a higher income can procure. 无论工作多么枯燥单调，如果它是能够使人逐渐成名的手段，无论是在世界上出名还是就在自己的圈子里出名，那么这工作就不再难以忍受了。 However dull work may be， it becomes bearable if it is a means of building up a reputation， whether in the world at large or only in one's own circle. 归根结底，幸福的最重要的因素之一是有始终如一的目的。而对多数人来说这样的目的主要来自他们的工作。 Continuity of purpose is one of the most essential ingredients of happiness in the long run， and for most men this comes chiefly through their work. 在这一点上，终日从事家务的妇女便远不如男子幸运，也没有走出家庭参加工作的妇女幸运。 In this respect those women whose lives are occupied with housework are much less fortunate than men， or than women who work outside the home. 家庭妇女没有工资，无法改善自己的状况，她所干的一切在她的丈夫看来都是理所当然的（她的丈夫对此几乎是熟视无睹），丈夫欣赏的不是她干的家务活，而是她的其他品质。 The domesticated wife does not receive wages， has no means of bettering herself， is taken for granted by her hu and （who sees practically nothing of what she does）， and is valued by him not for her housework but for quite other qualities. 当然对那些有足够的钱可以把住宅和花园搞得十分漂亮而成为邻居们的羡慕对象的女人来说，情况就不一样，但这样的女人相对来说数量较少，对于大多数妇女，家务带给她们的满足远不如其他工作带给男子或职业妇女的满足。 Of course this does not apply to those women who are sufficiently well-to-do to make beautiful houses and beautiful gardens and become the envy of their neighbors； but such women are comparatively few， and for the great majority housework cannot bring as much satisfaction as work of other kinds brings to men and to professional women. 多数工作都能使人满意地消磨掉时间，而且给人们实现抱负提供某种令人满意的途径，虽然这途径不起眼。一般说来这种满足足以使一个即使工作枯燥无味的人也比无事可做的人感到快乐。但如果从事的是有趣的工作，就能给人带来比仅仅是解闷高级得多的满足。 The satisfaction of killing time and of affording some outlet， however modest， for ambition， belongs to most work， and is sufficient to make even a man whose work is dull happier on the average than a man who has no work at all. But when work is interesting， it is capable of giving satisfaction of a far higher order than mere relief from tedium. 有兴趣的工作可以按其包含乐趣的大小顺序排列，我先谈小有乐趣的工作，最后谈那些值得伟大人物投入全部精力的工作。 The kinds of work in which there is some interest may he arranged in a hierarchy. I shall begin with those which are only mildly interesting and end with those that are worthy to absorb the whole energies of a great man. 两个使工作有趣的主要因素，一是需要运用技巧，二是有建设性。 Two chief elements make work interesting： first， the exercise of skill， and second， construction. 凡是掌握了不同寻常的技巧的人都喜欢运用这种技巧，直至他感到太平常或他再也不能提高时为止。 Every man who has acquired some unusual skill enjoys exercising it until it has become a matter of course， or until he can no longer improve himself. 这种想要自我表现的动机从幼儿时代就开始了：一个能倒立的男孩总是不想用脚站立。 This motive to activity begins in early childhood： a boy who can stand on his head becomes reluctant to stand on his feet. 许多工作同靠技艺取胜的游戏一样给人以快乐。 A great deal of work gives the same pleasure that is to be derived from games of skill. 律师或政治家的工作一定更愉快而且包含着许多和打桥牌同样的快乐。 The work of a lawyer or a politician must contain in a more delectable form a great deal of the same pleasure that is to be derived from playing bridge. 当然这里不仅运用了技巧，而且还在智力较量上胜过了一个本领高超的对手。 Here of course there is not only the exercise of skill but the outwitting of a skilled opponent. 即使在不存在竞争因素的情况下，表演高难的绝技也是件令人惬意的事情。 Even where this competitive element is absent， however， the performance of difficult feats is agreeable. 能驾驶飞机进行特技飞行的人会从中获得极大的快乐，以至为此甘愿冒生命危险。 A man who can do stunts in an aero——plane finds the pleasure so great that for the sake of it he is willing to risk his life. 我想像尽管一个能干的外科医生工作时处在令人痛苦的气氛中，他还是能从精湛的手术中得到满足。 I imagine that an able surgeon， in spite of the painful circumstances in which his work is done， derives satisfaction from the exquisite precision of his operations. 从大量层次较低的工作中也能得到同样的，只是在程度上没有那么强烈的快乐。 The same kind of pleasure， though in a less intense form， is to be derived from a great deal of work of a humbler kind. 只要工作中需要的技巧不是一成不变的，或存在着不断提高的余地，那么一切需要熟练技巧的工作都会是令人愉快的。 All skilled work can be pleasurable， provided the skill required is either variable or capable of indefinite improvement. 但如不具备上述两个条件，在人们掌握的技巧达到顶峰以后，这种工作便不再有兴趣了。 If these conditions are absent， it will cease to be interesting when a man has acquired his maximum skill. 一个从事3英里长跑的运动员到了不能再打破自己纪录的年龄以后，就不会再从这个职业中获得乐趣。 A man who runs three-mile races will cease to find pleasure in this occupation when he passes the age at which he can beat his own previous record. 幸而有相当数量的工作随新的情况出现而需要新的技巧，人们可以不断提高自己的技巧，至少可以一直继续到中年以后。 Fortunately there is a very considerable amount of work in which new circumstances call for new skill and a man can go on improving， at any rate until he has reached middle age. 从事某些技巧性工作的人，比如从政的人，似乎在60岁到70岁之间才达到颠峰状态，原因是在这些职业中，丰富的阅历至关重要。 In some kinds of skilled work， such as politics， for example， it seems that men are at their best between sixty and seventy， the reason being that in such occupations a wide experience of other men is essential. 因此有成就的政治家在70岁时往往会比其他同龄人幸福。 For this reason successful politicians are apt to be happier at the age of seventy than any other men of equal age. 在这一点上惟一能与他们相比的是大公司的首脑人物。 Their only competitors in this respect are the men who are the heads of big businesses. 然而的工作还具有另一因素，作为幸福的源泉它比运用技巧更为重要，这便是建设性。 There is， however， another element possessed by the best work， which is even more important as a source of happiness than is the exercise of skill. This is the element of constructiveness. 有些工作在完成后，结果会像纪念碑一样存在下去，尽管并非多数工作都能如此。 In some work， though by no means in most， something is built up which remains as a monument when the work is completed. 我们可以用下列标准区分是建设还是破坏。 We may distinguish construction from destruction by the following criterion. 如果是建设，则初始阶段事物较为缺少章法，而到最后阶段则体现出某个目标来；如为破坏，则正好相反，初始阶段体现出某个目标，而最后阶段则是缺少章法，也就是说，破坏者惟一的目的是制造出一个不具备某一目标的状态来。 In construction the initial state of affairs is comparatively haphazard， while the final stale of affairs embodies a purpose. In destruction the reverse is the case； the initial stale of affairs embodies a purpose， while the final state of affairs is haphazard， that is to say， all that is intended by the destroyer is to produce a state of affairs which does not embody a certain purpose. 适用这一标准的体最明显的一个例子，就是建造和拆除房屋。 This criterion applies in the most literal and obvious case， namely the construction and destruction of buildings. 在建造房屋时，预先制定好的方案得到实施，而在拆除房屋时没有人明确规定拆毁后残砖烂瓦应如何处置。 In constructing a building a previously made plan is carried out， whereas in destroying it no one decides exactly how the materials are to lie when the demolition is completed. 当然破坏常常是随之而来的建设的必要前提，在这种情况下它便成了整个建设的一部分。 Destruction is of course necessary very often as a preliminary to subsequent construction， in that case it is part of a whole which is constructive. 但有时一个人从事的活动旨在破坏而不是考虑此后可能进行的建设活动，他常常会标榜自己是为了重新建设而扫平一切，但一般说来如果这是个借口，只要问他随后的建设是什么样就会揭穿他。人们会发现在这一问题上他会含糊其词，毫无热情，但对于作为准备工作的破坏他却津津乐道，谈得十分具体。 But not infrequently a man will engage in activities of which the purpose is destructive without regard to any construction that may come after. Frequently he will conceal this from himself by the belief that he is only sweeping sway in order to build afresh， but it is generally possible to unmask this pretense， when it is a pretense， by asking him what the subsequent construction is to he. On this subject it will be found that he will speak vaguely and without enthusiasm， whereas on the preliminary destruction he has spoken precisely and with zest. 不少的革命者、尚武分子及其他暴力的信徒们就是如此。 This applies to not a few revolutionaries and militarists and other apostles of violence. 他们为仇恨所驱使，但自己往往还没意识到这一点……他们的真正目的是毁灭他们所仇恨的事物，相对来说对随后应做什么的问题并不关心。 They are actuated， usually without their own knowledge， by hatred： the destruction of what they hate is their real purpose， and they are comparatively indifferent to the question what is to come after it. 我无法否认从事破坏性工作和从事建设性工作一样也可能有快乐。 Now I cannot deny that in the work of destruction as in the work of construction there may be joy. 这是一种更为狂暴的快乐，也许有时更为强烈，但却不能给人以那种更深的满足，因为从它的结果中几乎找不到什么满足。 It is a fiercer joy， perhaps at moments more intense， but it is less profoundly satisfying， since the result is one in which little satisfaction is to be found. 你杀死了敌人，他死了你的职业就不存在了，你从胜利中得来的满足很快就消失了。 You kill your enemy， and when he is dead your occupation is gone， and the satisfaction that you derive from victory quickly fades. 从另一方面来说，建设性的工作在完成后一回想起来就令人愉快，而且这种永远也不会做到再也无事可做的地步。 The work of construction， on the other hand， when completed， is delightful to contemplate， and moreover is never so fully completed that there is nothing further to do about it. 最令人满意的目标是那些能永远从一个成功通向另一个成功而从不会走进死胡同的目标，在这个方面人们会发现建设比破坏更能带给人幸福。 The most satisfactory purposes are those that lead on indefinitely from one success to another without ever coming to a dead end； and in this respect it will be found that construction is a greater source of happiness than destruction. 也许更准确的说法应该是，在建设中寻求满足的人得到的满足要比热衷破坏建设的人从破坏中得到的满足更大，因为你一旦变得满腔仇恨，就很难从建设中得到别的人从中得到的乐趣。 Perhaps it would be more correct to say that those who find satisfaction in construction find in it greater satisfaction than the lovers of destruction can find in destruction， for if once you have become filled with hate you will not easily derive from construction the pleasure which another man would derive from it.
青年人的四种选择 Lesson 2 Four Choices for Young People 在毕业前不久，斯坦福大学四年级主席吉姆？宾司给我写了一封信，信中谈及他的一些不安。 Shortly before his graduation， Jim Binns， president of the senior class at Stanford University， wrote me about some of his misgivings. 他写道：“与其他任何一代人相比，我们这一代人在看待成人世界时抱有更大的疑虑……同时越来越倾向于全盘否定成人世界。” “More than any other generation，” he said， “our generation views the adult world with great skepticism… there is also an increased tendency to reject completely that world.” 很明显，他的话代表了许多同龄人的看法。 Apparently he speaks for a lot of his contemporaries. 在过去的几年里，我倾听过许多年轻人的谈话，他们有的还在大学读书，有的已经毕业，他们对于成人的世界同样感到不安。 During the last few years， I have listened to scores of young people， in college and out， who were just as nervous about the grown world. 大致来说，他们的态度可归纳如下：“这个世界乱糟糟的，到处充满了不平等、贫困和战争。对此该负责的大概应是那些管理这个世界的成年人吧。如果他们不能做得比这些更好，他们又能拿什么来教育我们呢？这样的教导，我们根本不需要。” Roughly， their attitude might be summed up about like this： “The world is in pretty much of a mess， full of injustice， poverty， and war. The people responsible are， presumably， the adults who have been running thing. If they can't do better than that， what have they got to teach our generation？ That kind of lesson we can do without.” 我觉得这些结论合情合理，至少从他们的角度来看是这样的。 There conclusions strike me as reasonable， at least from their point of view. 对成长中的一代人来说，相关的问题不是我们的社会是否完美（我们可以想当然地认为是这样），而是应该如何去应付它。 The relevant question for the arriving generation is not whether our society is imperfect （we can take that for granted）， but how to deal with it. 尽管这个社会严酷而不合情理，但它毕竟是我们惟一拥有的世界。 For all its harshness and irrationality， it is the only world we've got. 因此，选择一个办法去应付这个社会是刚刚步入成年的年轻人必须作出的第一个决定，这通常是他们一生中最重要的决定。 Choosing a strategy to cope with it， then， is the first decision young adults have to make， and usually the most important decision of their lifetime. 根据我的发现，他们的基本选择只有四种： So far as I have been able to discover， there are only four basic alternatives： 1）脱离传统社会 1）Drop Out 这是最古老的方法之一，任何年龄的人无论在任何地方，也无论是否使用迷幻剂都可以采用。 This is one of the oldest expedients， and it can be practiced anywhere， at any age， and with or without the use of hallucinogens. 那些认为这个世界残酷、复杂得令人难以忍受的人通常会选择这个办法。 It always has been the strategy of choice for people who find the world too brutal or too complex to be endured. 实质上，这是一种寄生式的生活方式，采取此策略的人通过这样或那样的方式寄生于这个他们蔑视的社会，并且拒绝对这个社会承担责任 By definition， this way of life is parasitic. In one way or another， its practitioners batten on the society which they scorn and in which they refuse to take any responsibility. 我们中的一些人对此很厌恶——认为这种生活方式很不光彩。 Some of us find this distasteful – an undignified kind of life. 但对于那些卑微、懒惰又缺乏自尊的人来说，这也许是可行的最可以忍受的选择了。 But for the poor in spirit， with low levels of both energy and pride， it may be the least intolerable choice available. 2）逃避现实社会 2） Flee 这个策略早在远古就有先例。 This strategy also has ancient antecedents. 自文明诞生以来，就有人企图逃避文明社会，希望寻求一种更为朴素、更富田园风情、更为宁静的生活。 Ever since civilization began， certain individuals have tried to run away from it in hopes of finding a simpler， more pastoral， and more peaceful life. 与那些脱离传统社会的人不同，这些人不是寄生者。他们愿意自食其力，愿意为社会作出贡献，可是他们就是不喜欢这个文明世界的环境。确地说，不喜欢这充满丑恶和紧张的大都市。 Unlike the dropouts， they are not parasites. They are willing to support themselves and to contribute something to the general community， but they simply don't like the environment of civilization； that is， the city， with all its ugliness and tension. 这种方法的问题在于无法大规模地进行实践。 The trouble with this solution is that it no longer is practical on a large scale. 不幸的是，在我们的地球上，高尚的野蛮人和未被破坏的自然景色已越来越少；除了两极地区以外已经没有未开发的土地了。 Our planet， unfortunately， is running out of noble savages and unsullied landscaped； except for the polar regions， the frontiers are gone. 少数富有的乡绅还可以逃避现实去过田园生活——但总的说来，迁移的潮流是向相反的方向流动。 A few gentleman farmers with plenty of money can still escape to the bucolic life – but in general the stream of migration is flowing the other way. 3）策划革命 Plot a Revolution 在对民主进程单调乏味的运作方式毫无耐心或相信只有武力才能改变基本社会制度的那些人中，这一策略颇受欢迎。 This strategy is always popular among those who have no patience with the tedious working of the democratic process or who believe that basic institutions can only be changed by force. 它吸引了每一代年轻人中那些更为活跃和更具理想主义的人。 It attracts some of the more active and idealistic young people of every generation. 对他们来说，这种策略具有浪漫的吸引力，通常以某位魅力非凡且令人振奋的人物为其象征。 To them it offers a romantic appeal， usually symbolized by some dashing and charismatic figure. 这一策略简单明了并具有更大的吸引力：“既然这个社会已经无可救药，那就让我们砸碎它，在它的废墟上面建一个更好的社会。” It has the even greater appeal of simplicity： “Since this society is hopelessly bad， let's smash it and build something better on the ruins.” 我的朋友中有些是革命者，他们中的一些人过得相当满足。 Some of my best friends have been revolutionists， and a few of them have led reasonably satisfying lives. 这部分人其实是那些革命并未成功的人，他们可以继续兴高采烈地策划*，直至老态龙钟。 These are the ones whose revolutions did not come off； they have been able to keep on cheerfully plotting their holocausts right into their senescence. 另外一些人年纪轻轻就死了，死在监狱里或街垒旁。 Others died young， in prison or on the barricades. 但最不幸的是那些革命成功的人。 But the most unfortunate are those whose revolutions have succeeded. 他们极度失望，看到他们*的权力机构又被新机构所替代，而新机构依旧是那样冷酷，那样毫无生机。 They lived in bitter disillusionment， to see the establishment they had overthrown replaced by a new one， just as hard-faced and stuffy. 当然，我并不是说革命一无所成。 I am not， of course， suggesting that revolutions accomplish nothing. 一些革命（美国革命，法国革命）确实将事情变得越来越好。 Some （The American Revolution， the French Revolution） clearly do change things for the better. 我只是想说革命无论成败，那些策划革命的革命者们都注定要失望。 My point is merely that the idealists who make the revolution are bound to be disappointed in either case. 因为胜利的曙光无论如何也不会照耀在他们梦想中的那个摆脱了人类一切卑劣的灿烂的新世界上。 For at best their victory never dawns on the shining new world they had dreamed of， cleansed of all human meanness. 相反，它照在了一个熟悉的平庸的地方，这个地方仍旧需要食品杂货和污水排放。 Instead it dawns on a familiar， workaday place， still in need of groceries and sewage disposal.
单词写错了，是horror
高级英语（0600） 英语写作（0603） 英语翻译（0087） 口译与听力（0602） 英美文学选读（0604） 英语科技文选（0836） 旅游英语选读（0837） 现代语言学（0830） 英语词汇学（0832） 马克思主义政治经济学原理（0005） 毛泽东思想概论（0004） 第二外语（日语）（0840） 第二外语（俄语）（0839） 第二外语（法语）（0841） 教育学（一）（0429） 心理学（0031） 外语教学法（0833） 听力（0593） 口语（0594） 综合英语（二）（0795） 毕业论文及答辩（6999）
类型序号 课程代号 课程名称 学分 类型 考试方式 001 8469 高级英语（一）（B） 10 必考 笔试 002 8470 高级英语（二）（B） 10 必考 笔试 003 8266 翻译 8 必考 笔试 004 8269 英语语言学（英文） 6 必考 笔试 005 8268 英语词汇学（英文） 6 必考 笔试 006 8472 英语高级听力 6 必考 实践考核 007 8475 英美报刊选读 5 必考 笔试 008 8476 英国文学选读 4 必考 笔试 009 8477 美国文学选读 4 必考 笔试 010 8478 英语论文写作 5 必考 笔试 011 8479 中学英语数学法 4 必考 笔试 012 8480 外语教学心理学 4 必考 笔试 013 8100 毕业论文（不计学分） 0 必考 实践考核 101 8473 第二外语（日语）（B） 6 选考 笔试 102 8474 第二外语（法语） 6 选考 笔试 103 0012 英语（一） 7 选考 笔试 201 8447 基础英语（一）（B） 6 加考 笔试 202 8448 基础英语（二）（B） 6 加考 笔试 203 8449 基础英语（三）（B） 6 加考 笔试 204 8450 英语阅读 6 加考 笔试 205 8451 英语听力 4 加考 实践考核 206 8452 英语口语 4 加考 实践考核 毕业要求：不少于14门且不低于78学分。自考教材全是一样的！
参考答案：马克思主义政治经济学原理（0005） 毛泽东思想概论（0004） 第二外语（日语）（0840） 第二外语（俄语）（0839） 第二外语（法语）（0841） 高级英语（0600） 英语写作（0603） 英语翻译（0087） 口译与听力（0602） 英美文学选读（0604） 英语科技文选（0836） 旅游英语选读（0837） 现代语言学（0830） 英语词汇学（0832） 教育学（一）（0429） 心理学（0031） 外语教学法（0833） 听力（0593） 口语（0594） 综合英语（二）（0795） 毕业论文及答辩（6999）
lesson5 宁为黑人不为女子 Lesson Five I'd Rather Be Black than Female 我是第一位当选国会议员的黑人妇女，这使我不同凡响。 Being the first black woman elected to Congress has made me some kind of phenomenon. 国会中还有九位黑人议员和十位妇女议员，但我是第一位同时克服两个不利因素的人。 There are nine other blacks in Congress； there are ten other women. I was the first to overcome both handicaps at once. 在这两种不利因素中，是个女人比是黑人更糟。 Of the two handicaps， being black is much less of a drawback than being female. 如果我说做黑人比做妇女更糟糕，也许没有人会对我的说法提出质疑。 If I said that being black is a greater handicap than being a woman， probably no one would question me. 为什么呢？因为“众所周知”，美国存在着对黑人的歧视。 Why？ Because “we all know” there is prejudice against black people in America. 说美国存在着对妇女的歧视对于几乎所有男人——还有大多数女人来说——却是不可思议的。 That there is prejudice against women is an idea that still strikes nearly all men – and， I am afraid， most women – as bizarre. 许多年以来，多数人看不到社会存在着对黑人的歧视。 Prejudice against blacks was invisible to most white Americans for many years. 当黑人终于通过静坐*、联合抵制和自由乘车*的方式以示*，来提及这个问题时，他们觉得简直难以置信。 When blacks finally started to “mention” it， with sit-ins， boycotts， and freedom rides， Americans were incredulous. “谁，我们？”他们委屈地问道。 “Who， us？” they asked in injured tones. “我们歧视黑人？”对美国白人来说，这是漫长而痛苦的再教育的开始。 “We're prejudiced？” It was the start of a long， painful reeducation for white America. 他们，包括那些自认为是自由主义者的白人——还需要许多年才能发现并消除他们实际上都持有的种族主义态度。 It will take years for whites – including those who think of themselves as liberals – to discover and eliminate the racist attitudes they all actually have. 消除对妇女的歧视的困难有多大？我确信这将会是一场更持久的斗争。 How much harder will it be to eliminate the prejudice against women？ I am sure it will be a longer struggle. 部分问题在于比起黑人来美国妇女被洗脑的程度更深，且更满足于她们次等公民的角色。 Part of the problem is that women in America are much more brainwashed and content with their roles as second – class citizens than blacks ever were. 我来解释一下。 Let me explain. 二十多年来我一直积极参与政治活动。 I have been active in politics for more than twenty years. 除了最后的那六年，其余那些年干活的是我，我干的是所有无聊琐碎但对竞选胜负至关重要的工作——可得到好处的却是男人，这几乎就是政界妇女一直以来的命运。 For all but the last six， I have done the work – all the tedious details that make the difference between victory and defeat on election day – while men reaped the rewards， which is almost invariably the lot of women in politics. 在美国政界，大部分的工作仍然是由妇女来做——大约300万志愿者。 It is still women – about three million volunteers – who do most of this work in the American political world. 她们中任何人所能期待的结果是有幸当选为区或县的副主席，这是一个隔离却平等的职位，是给那些多年来一直忠实从事装信封和组织牌局工作的妇女的奖赏。 The best any of them can hope for is the honor of being district or county vice-chairman， a kind of separate-but-equal position with which a woman is rewarded for years of faithful envelope stuffing and card-party organizing. 在这种职位上，她可以享受公费出差去参加州或全国性的会议或代表大会，在这些场合她的作用就是和她单位的男主席投一样的票。 I n such a job， she gets a number of free trips to state and sometimes national meetings and conventions， where her role is supposed to be to vote the way her male chairman votes. 1963年，当我企图摆脱这一角色代表布鲁克林的贝德富锡—斯图维桑特参加竞选纽约州众议院的席位时，遇到了极大的阻力。 When I tried to break out of that role in 1963 and run for the New York State Assembly seat from Brooklyn's Bedford-Stuyvesant， the resistance was bitter. 从竞选一开始，我就要面对他们毫不掩饰的对女性的敌意。 From the start of that campaign， I faced undisguised hostility because of my sex. 但是在四年以后，当我竞选国会议员时，性别问题才成了一个主要争端。 But it was four years later， when I ran for Congress， that the question of my sex became a major issue. 我所在党派的党员召开秘密会议讨论如何阻止我参加竞选。 Among members of my own party， closed meetings were held to discuss ways of stopping me. 我的对手，的人权运动领袖詹姆士？法默竭力把自己塑造成一个具有男子汉气概的黑人形象；他坐着带有扩音器的卡车在附近地区巡回，车上满载着留着非洲发式、穿颜色花哨的宽袍和蓄胡子的年轻人。 My opponent， the famous civil-rights leader James Farmer， tried to project a black， masculine image； he toured the neighborhood with sound trucks filled with young men wearing Afro haircuts， dashikis， and beards. 电视台记者对我不屑一顾，他们忽略了一个非常重要的数据，而对此我和我的竞选经纪人韦斯利？麦克唐纳？霍尔德却很清楚。 While the television crews ignored me， they were not aware of a very important statistic， which both I and my campaign manager， Wesley MacD. Holder， knew. 在我这个区内，登记参加投票选举的人中男女的比例是1∶2.5.而且那些妇女是有组织的——是教师家长协会、教会社团、牌局俱乐部以及其他社会服务性团体的成员。我去找她们寻求帮助。 n my district there are 2.5 women for every man registered to vote. And those women are organized – in PTAs， church societies， card clubs， and other social and service groups I went to them and asked their help. 法默先生到现在仍然不知道他是如何被击败的。 Mr. Farmer still doesn't quite know what hit him. 当一位聪明的年轻女大学生开始找工作时，为什么第一个问题总是“你会打字吗？” When a bright young woman graduate starts looking for a job， why is the first question always： “Can you type？” 在这个问题背后是一整部妇女受歧视的历史。 A history of prejudice lies behind that question. 为什么被看成是秘书而不是管理者？为什么被看成是图书管理员和教师而不是律师？ Why are women thought of as secretaries， not administrators？Librarians and teachers， but not doctors and lawyers？ 因为她们被认为是不一样的，低人一等的。 Because they are thought of as different and inferior. 快乐的家庭主妇和心满意足的黑鬼都是由歧视产生的典型人物。 The happy homemaker and the contented darky are both stereotypes produced by prejudice. 妇女甚至还没有达到黑人所达到的象征性的平等水平。 Women have not even reached the level of tokenism that blacks are reaching. 法院中没有妇女，只有两名妇女曾担任内阁的职位，但现在一个也没有。 No women sit on the Supreme Court. Only two have held Cabinet rank， and none do at present. 只有两位妇女担任大使。 Only two women hold ambassadorial rank. 妇女主要从事工资低、伺候人、没有前途的工作。即使她们获得较好的职位，他们的工资也总是比同样工作的男人低。 But women predominate in the lower-paying， menial， unrewarding， dead-end jobs， and when they do reach better positions， they are invariably paid less than a man for the same job. 这不是歧视又是什么？ If that is not prejudice， what would you call it？ 几年前，我与一位政治领袖谈论有关一个有前途的青年妇女做候选人的事。 A few years ago， I was talking with a political leader about a promising young woman as a candidate. “为什么要花费时间和精力去树立这个女孩的威信？”他问道，“你很清楚她只会在我们打算让她竞选市长时退出竞选去而生孩子。” “Why invest time and effort to build the girl up？” he asked me. “You know she'll only drop out of the game to have a couple of kids just about the time we're ready to run her for mayor.” 对于我，许多人说了类似的话。 Plenty of people have said similar things about me. 每次当我试图向上迈一步时，许多人劝我回去教书，说那才是妇女的职业，把政治留给男人。 Plenty of others have advised me， every time， I tried to take another upward step， that I should go back to teaching， a woman's vocation and leave politics to the men. 我热爱教书，只要我确信这个国家再也不需要女人作贡献时，我就会去教书。 I love teaching， and I am ready to go back to it as soon as I am convinced that this country no longer needs a women's contribution. 当在这个富足的国家里，当没有孩子饿着肚子上床睡觉时，我可能会回去教书。 When there are no children going to bed hungry in this rich nation， I may be ready to go back to teaching. 当每一个孩子都能上好学校时，我也许会回去教书。 When there is a good school for every child， I may be ready. 当我们不再将钱财耗费在武器装备上来杀人时，当我们不再容忍对少数民族的歧视时，当惩治住房和雇佣不公行为的法律得以实施而不是被束之高阁时，那么我在政治上也就再没什么可做的了 When we do not spend our wealth on hardware to murder people， when we no longer tolerate prejudice against minorities， and when the laws against unfair housing and unfair employment practices are enforced instead of evaded， then there may be nothing more for me to do in politics. 但是在那以前——我们都知道那不是今年或是明年——我们需要的是更多的妇女投身于政治，因为妇女可以作出特殊的贡献。 But until that happens – and we all know it will not be this year or next – what we need is more women in politics， because we have a very special contribution to make. 我希望自己成功的例子能使其他的妇女愿意参与政治活动——不仅仅是装信封，而是竞选政府职位。 I hope that the example of my success will convince other women to get into politics – and not just to stuff envelopes， but to run for office. 妇女能将同情、宽容、远见、忍耐和毅力带到政府中——这是我们与生俱有的品质或是在男人的压制下不得不培养出来的品质。 It is women who can bring empathy， tolerance， insight， patience， and persistence to government – the qualities we naturally have or have had to develop because of our suppression by men. 一个国家的妇女通过她们在生活中的行为来塑造这个国家的道德、宗教和政治。 The women of a nation mold its morals， its religion， and its politics by the lives they live. 目前， 我们国家在政治上也许比其他任何方面更需要妇女的理想主义和决心。 At present，our country needs women's idealism and determination，perhaps more in politics than anywhere else.
第十个人 Lesson Ten The Tenth Man 就在第二天下午3点（闹钟上的时间），一个军官走进了牢房。这是他们几星期以来见到的第一位军官。他非常年轻，甚至小胡子的形状也显示出他不够老练，左边的胡子剃得重了点。 It was at three the next afternoon （alarm clock time） that an officer entered the cell； the first officer they had seen for weeks – and this one was very young， with inexperience even in the shape of his mustache which he had shaved too much on the left side. 他就像一个初次登台领奖的小学生一样窘迫不安，他说起话来粗鲁无礼，似乎要显示一种他并不具备的力量。 He was as embarrassed as a schoolboy making his first entry on a stage at a prize-giving， and he spoke abruptly so as to give the impression of a strength he did not possess. 他说道：“昨天夜间城里发生了几起谋杀，一名军事长官的副手、一位中士和一个骑自行车的女孩被杀。”他又说道：“我们不在乎女孩的死。法国男人杀死法国女人不关我们的事。” He said， “There were murders last night in the town. The aide-de-camp of the military governor， a sergeant and a girl on a bicycle.” He added， “We don't complain about the girl. Frenchmen have our permission to kill Frenchwomen.” 很明显他事先仔细斟酌了他的讲话，但他的嘲弄做过了头，他的表演也很业余。 He had obviously thought up his speech carefully beforehand， but the irony was overdone and the delivery that of an amateur actor： 整个场面就像手势字谜游戏那样矫饰做作。 the whole scene was as unreal as a charade. 他接着说道：“你们知道自己为什么来这里，你们在这里好吃好喝，过着舒适的日子，而我们的人却在工作和战斗。不过现在你们必须付出代价了。不要怪我们，要怪你们自己的杀人凶手。我的命令是集中营里每十个人要有一个被枪决。你们有多少人？”“报数。”他厉声喝道人们闷闷不乐地照办了。“28，29，30.”人们知道不用数他也知道人数，这不过是他玩的把戏中不可省略的一句台词…… He said， “You know what you are here for， living comfortably， on fine rations， while our men work and fight. Well， now you've got to pay the hotel bill. Don't blame us. Blame your own murderers. My orders are that one man in every ten shall be shot in this camp. How many of you are there？” He shouted sharply， “Number off，” and sullenly they obeyed， “…… twenty-eight， twenty-nine， thirty.” They knew he knew without counting. This was just a line in his charade he couldn't sacrifice. 他说道：“那么，你们的名额是三个，我们并不关心是哪三个人。你们可以自己选择。死刑于明天早上7点执行。” He said， “Your allotment then is three. We are quite indifferent as to which three. You can choose for yourselves. The funeral rites will begin at seven tomorrow morning.” 他玩的把戏结束了，人们可以听到他的脚步响亮地敲击着沥青路渐渐远去。 The charade was over： they could hear his feet striking sharply on the asphalt going away. 查维尔忽然很想知道他打的手势是什么字。要他们猜的是不是“夜间”，“姑娘”，“旁边”或“30”。不，不是。谜底肯定是“人质”。 Chavel wondered for a moment what syllable had been acted —“night，”“girl，”“aside，” or perhaps “thirty，” but it was of course the whole word—“hostage. ” 牢房里很长时间没人说话。后来一个叫克拉夫的阿尔萨斯人开口道：“好了，我们有人自愿吗？” The silence went on a long time， and then a man called Krogh， an Alsatian， said， “Well， do we have to volunteer？” “废话。”一个职员说道。他是一个上了年纪的戴着夹鼻眼镜的老头。他接着说道：“没人会自愿，我们必须抽签。除非有人认为应按年龄决定——最老的先死。” “Rubbish，” said one of the clerks， a thin elderly man in pince-nez， “nobody will volunteer. We must draw lots.” He added， “Un-less it is thought that we should go by ages —the oldest first. ” “不，不行。”另一个人说道，“那不公平。” “No， no，” one of the others said， “that would be unjust. ” “这是自然规律。” “It's the way of nature.” “那算什么自然规律。”又一个人说道，“我有个女儿，5岁时就死了。” “Not even the way of nature，” another said. “1 had a child who died when she was five……” “我们必须抽签。”市长坚定地说。 “We must draw lots，” the mayor said firmly. “只有这样才公正。”他坐在那里，双手依然紧贴在肚子上，遮挡着他的怀表，但是整个牢房里都能听见怀表清脆的滴答声。 “It is the only fair thing.” He sat with his hands still pressed over his stomach， hiding his watch， but all through the cell you could hear its blunt tick lock tick. 他接着又说道：“由未婚者抽签，已婚者除外，他们有责任。” He added， “On the unmarried. The married should not be included. They have responsibilities… “哈，哈！”皮埃尔说道，“我们明白了。为什么已婚者就应逃脱？他们的事儿已经做完了。当然，你结婚了吧？” “Ha， ha，” Pierre said， “we see through that. Why should the married get off？ Their work's finished. You， of course， are married？” “我的妻子不在了。”市长说，“我现在是未婚，你呢？” “I have lost my wife，” the mayor said， “I am not married now. And you…” “结了。”皮埃尔答道。 “Married，” Pierre said. 市长开始解下怀表。发现皮埃尔处境安全，他似乎更坚信作为怀表的主人自己必定是下一个牺牲者。 The mayor began to undo his watch； the discovery that his rival was safe seemed to confirm his belief that as the owner of time he was bound to be the next victim. 他环顾了每一个人，然后选择了查维尔。也许是因为只有他穿着西服背心适合戴表链。他说道：“查维尔先生，我想让你替我拿着怀表，万一……” He looked from face to face and chose Chavel， perhaps because he was the only man with a waistcoat fit to take the chain. He said， “Monsieur Chavel， I want you to hold this watch for me in case…” “你找别人吧！”查维尔说，“我还没结婚呢。” “you'd better choose someone else，” Chavel said. “I am not married.” 那个老职员又开口了，“我结婚了，我有权说话。 The elderly clerk spoke again. He said， “I'm married. I've got the right to speak. 我们正把一切引向歧途。这不是我们最后一次抽签。如果这儿有一个特权阶层——那些最终将活着的人，大家想想，牢房里会是什么样子。你们其他人很快就会痛恨我们。你们害怕，而我们将不再担心。“ We are going the wrong way about all this. Everyone must draw lots. This isn't the last draw we shall have， and picture to yourselves what it will be like in this cell if we have a privileged class —the ones who are left to the end. The rest of you will soon begin to hate us. We shall be left out of your fear. . . “ “他说得对。”皮埃尔说。 “He's right，” Pierre said. 市长重新握紧了怀表，说道：“就照你们的主意办。要是能够这样征税的话……”他做了个绝望的手势。 The mayor refastened his watch. “Have it your own way，” he said. “But if the taxes were levied like this…” He gave a gesture of despair. “我们如何抽签？”克拉夫问道。 “How do we draw？” Krogh asked. 查维尔答道：“最快的办法就是从一只鞋里抽出画有记号的纸条。” Chavel said， “The quickest way would be to draw marked papers out of a shoe. . .” 克拉夫轻蔑地说：“那么快干吗？对于我们当中几个人来说这可是最后一次赌博了。我们蛮可以享受一番。我提议赌抛硬币。” Krogh said contemptuously， “Why the quickest way？ This is the last gamble some of us will have. We may as well enjoy it. I say a coin.” “这不好。”那个职员说，“抛硬币不是一个公平、合理的办法。” “It won't work，” the clerk said. “You can't get a even chance with a coin.” “惟一的办法就是抽签。”市长说道。 “The only way is to draw，” the mayor said. 职员开始为抽签做准备，为此他牺牲了一封家信。 The clerk prepared the draw， sacrificing for it one of his letters from home. 他很快地看了一遍信，然后把它撕成30张小纸条。 He read it rapidly for the last time， and then tore it into thirty pieces. 他用铅笔在其中三张上画上十字，然后把每张纸条都叠上。 On three pieces he made a cross in pencil， and then folded each piece. 他接着说：“克拉夫的鞋。”大家把纸条放在地下搅乱，然后装进了鞋子里。 “Krogh's got the biggest shoe，” he said. They shuffled the pieces on the floor and then dropped them into the shoe. “我们按姓氏的字母顺序抽签。”市长说。 “We'll draw in alphabetical order，” the mayor said. “从Z开始抽。”查维尔说道。他的安全感开始动摇了。他急切想喝点什么，用手指从嘴唇上撕下一小块干皮。 “Z first，” Chavel said. His feeling of security was shaken. He wanted a drink badly. He picked at a dry piece of skin on his lip. “就按你说的办。”卡车司机说道，“有人排在维尔森前面吗？我先抽。” “As you wish，” the lorry driver said. “Anybody beat Voisin？ Here goes. 他用手在鞋子里小心地掏，就像是要掏到他心里想要的那张。 “He thrust his hand into the shoe and made careful excavations as though he had one particular scrap of paper in mind. 他抽出一张，打开，怔怔地看着，然后说了声：“完了。”他坐下来，摸出一支香烟放到嘴里，却忘了点火。 He drew one out， opened it， and gazed at it with astonishment. He said， “This is it.” He sat down and felt for a cigarette， but when he got it between his lips he forgot to light it. 查维尔心中充满了巨大而又令他感到羞耻的快乐。 Chavel was filled with a huge and shameful joy. 看来自己得救了。剩下二十九个人抽签，而只有两张带有记号的纸条。 It seemed to him that already he was saved —twenty - nine men to draw and only two marked papers left. 抽中死签的可能性突然变得对他有利，从10比1变成了14比1.经营蔬菜水果的商人也抽了一张，然后漫不经心、毫无表情地示意自己平安无事。 The chances had suddenly grown in his favor from ten to one to—fourteen to one： the greengrocer had drawn a slip and indicated carelessly and without pleasure that he was safe. 的确，从抽第一张签时人们就忌讳任何喜形于色的表现，一个人不能以任何宽慰的举动去嘲弄注定要死的人。 Indeed from the first draw any mark of pleasure was taboo： one couldn't mock the condemned man by any sign of relief. 查维尔胸中有一种隐隐约约的不安——还不是恐惧，像是一种压抑感。 Again a dull disquiet —ii couldn't yet be described as a fear—exended its empire over Chavel's chest. 当第六个人抽到空白纸条时，他发现自己在打哈欠；当第十个人——就是大家称作雅维耶的那个人抽完签后，他的心中又充满了某中怨愤的情绪。现在抽中死签的机会同开始时一样了。 It was like a constriction： he found himself yawning as the sixth man drew a blank slip， and a sense of grievance nagged at his mind when the tenth man bad drawn—it was the one they called Janvier—and the chances were once again the same as when the draw started. 有的人抽出他们手指碰到的第一张纸条；有的人似乎怀疑命运企图将某一张纸条强加于他们，所以他们刚刚从鞋里抽出一张，就又扔回去，再另换一张。 Some men drew the first slip which touched their fingers； others seemed to suspect tha t fate was trying to force on them a particular slip and when they bad drawn one a little way from the shoe would let it drop again and choose another. 时间过得很慢，令人难以置信。那个叫做维尔森的人靠墙坐着，嘴里叼着仍未点燃的香烟，对一切都不再在意。 Time passed with incredible slowness， and the man called Voisin sat against the wall with the unlighted cigarette in his mouth paying them no attention at all. 就在生存的机会逐渐变小，抽中死签的可能性达到八分之一时，一个叫做勒诺特的上年纪的职员抽中了第二张死签。 The chances had narrowed to one in eight when the elderly clerk —his name was Lenotre—drew the second slip. 他清了清喉咙，戴上夹鼻眼镜，好像要确认自己没有看错。“喂，维尔森先生，我能加入吗？”他带着淡淡的微笑说道。 He cleared his throat and put on his pince-nez as though he had to make sure he was not mistaken. “Ah， Monsieur Voisin，” he said with a thin undecided smile， “May I join you？” 令人难以琢磨的机会再次以绝对对查维尔有利的优势朝他走来，抽中死签的可能性只有十五分之一，可他这次却没有丝毫欣慰，他被普通百姓所具有的勇气所震撼，他想让这一切尽快结束，就像一副扑克玩得太久了，他只希望有人离开牌桌，结束牌局。 This time Chavel felt no joy even though the elusive odds were back again overwhelmingly in his favor at fifteen to one； he was daunted by the courage of common men. He wanted the whole thing to be over as quickly as possible： like a game of cards which has gone on too long， he only wanted someone to make a move and break up the table. 勒诺特在维尔森身边靠墙坐下，他翻过纸条，背面是信中的一点内容，“是你妻子的？”维尔森问道。“是我女儿的。”勒诺特答道，“请原谅。”他起身走到自己的铺盖处，抽出一本便笺，回到维尔森身边开始写起来。他不慌不忙，认认真真地写下一串纤细而清晰的字迹。 。 Lenotre， sitting down against the wall next to Voisin， turned the slip over： on the back was a scrap of writing. Your-wife？“ Voisin said. “My daughter，” Lenotre said. “Excuse me.” He went over to his roll of bedding and drew out a writing pad. Then he sat down next to Voisin and began to write， carefully， without hurry， a thin legible hand. 这时中死签的概率又回到了10比1. The odds were back to ten to one. 从那时起，对查维尔来说，抽中死签的可能性似乎以一种不可避免的可怕趋势发生着变化。 From that point the odds seemed to move toward Chavel with a dreadful inevitability： 9比1，8比1，抽中死签的可能性好像指向了他。 nine to one， eight to one； they were like a pointing finger. 剩下的人抽得越来越快，越来越随便。 The men who were left drew more quickly and more carelessly： 在查维尔看来，他们似乎都知道了某种秘密，知道他会抽到死签。 they seemed to Chavel to have some inner information —to know that he was the one. 轮到他抽签时，只剩下了3张纸，留给他的机会这么少，在他看来真是不公平。 When his time came to draw there were only three slips left ， and it appeared to Chavel a monstrous injustice that there were so few choices left for him. 他从鞋中抽出一张，接着又认定这是同伴的意志强加给他的，一定有十字。于是他把它放回去，另抽了一张。 He drew one out of the shoe and then feeling certain that this one had been willed on him by his companions and contained the penciled cross he threw it back and snatched another. “律师，你偷看了。”剩下的两个人中有一个大声说道，但另一个让他安静下来。 “You looked， lawyer，” one of the two men exclaimed， but the other quieted him. “他没有偷看，他抽到的是有记号的。” “He didn't look. He's got the marked one now.” “不，不。”查维尔把纸条扔到地上，开始大叫：“我从来就没有同意，你们不能让我替别人去死。” “No，” Chavel said， “no.” He threw the slip upon the ground and cried， “I never consented to the draw. You can't make me die for the rest of you. . . ” 大家惊讶地看着他，但并没有敌意。 They watched him with astonishment but without enmity. 他是一个出身高贵的人。人们没有用自己的标准去衡量他，因为他属于一个别人难以理解的阶层。人们甚至没有把他的行为与胆怯联系起来。 He was a gentleman. They didn't judge him by their own standards： he belonged to an unaccountable class and they didn't at first even attach the idea of cowardice to his actions. “听我说，”查维尔一边哀求，一边举起那张纸条。大家既惊奇又好奇地看着他。“谁接受这张纸条，我就给他10万法郎。” “Listen，” Chavel implored them. He held out the slip of paper and they all watched him with compassionate curiosity. “I'll give a hundred thousand francs to anyone who'll take this.” 他快速移动着小步地从一个人面前走到另一个人面前，朝每一个人展示那张小纸条，好像是拍卖会上的服务员。 He took little rapid steps from one man to another， showing each man the bit of paper as if he were an attendant at an auction. “10万法郎。”他恳求道。人们感到震惊，同样又感到一丝怜悯：他是他们之中惟一的有钱人，这是与众不同之处。 “A hundred thousand francs，” he implored， and they watched him with a kind of shocked pity： he was the only rich man among them and this was a unique situation. 人们无法去比较，只能认定这就是他那个阶层的特点，这犹如一个在异国港口下船就餐的旅游者能从一个碰巧与他同桌的狡猾商人身上总结出该国的国民性格。 They had no means of comparison and assumed that this was a characteristic of his class， just as a traveler stepping off the liner at a foreign port for luncheon sums up a nation's character forever in the wily businessman who happens to share the table with him.
自考高级英语考生一定要在考前过一到两遍教材，熟悉教材里面的文章，也是积累词汇量和句型结构的过程，而这些都是学习英语的基本功，有助于考生英文写作水平的提高。那么高级英语自考重点有哪些呢？
自考高级英语应多做题，分析题型和命题方式，考生除了了解教材以外，还要多做真题，清楚考试题型和得分要点，有助于考生分清楚重、难、易点，有的放矢地提高复习效率。
高级英语自考重点
第一课
1．课文重点段落:2、4、5、6
2.重点短语:adulation、disaffection、embody、reverence、sprinkle、swelter
3.重点短语:conceive of :设想，想象、see......as :把......视为，把.…...当作、ratherthan :不是.…而是......、takeplace : 发生
第二课
4．课文重点段落:1、3、4、5、6、7、8、9、12
5 .重点短语:affluent、available、cleanse、dwindle、disillusionment、tedious.relevant
6．重点短语: contribute..........贡献，捐款、 batten on:靠损害他人养肥自己.drop out :放弃，退出
第三课
7.课文重点段落:2、3、15、16、17、21、30
8.重点短语:apologetic、apprehension、coax、contemptible、desist
9.重点短语: break in:插入，闯入、hold down:控制、reduce to:变成
第四课
10 ．课文重点段落∶2、6、7、8
11．重点短语:arguable、dodge、intrude、languish、legalize
12.重点短语:e to light 公布于众. go over:检查细节、hold out:持续、omplywith 依从，顺从
第五课
13 ．课文重点段落:1、2、4、6、7、10、12、15、16
14 .重点短语:drawback、incredulous、inferior、predominate、mold、register
15.重点短语: be content with :满足、be supposed to:理应，应该、run for :竞选、be aware of :意识，知道、convince sb. of sth./that......说服，使相信
……
应该是拼写错误吧？应该是horror,honor是没有这个用法的，呵呵 盗版教材害死人啊！楼上的不靠题
“FPSO需要使用30ml煤气用于内部发电。根据发展计划，如果想提高回收利用率的话，那么需要将生产过程中产生的超过半数的煤气用于其发电。” 这是我的理解。其中produced是指 gas which is produced ，“生产出来的煤气”。但是到底是哪里生产出来的煤气，这句话并没有交代，前文应该是可以找到的。 inject是注入的意思。注入到哪里？我认为这个答案要是同样不能在本句话找到的话，那么这句话就无法单独理解了。因此我在本句话中找答案，发现答案就是之前说的“内部发电”，我觉得完整的说法应该是“注入内部发电系统（以供其发电）”，这里给省略了。 既然没有上下文，那么就只能尽量在原文找答案，这就是我的答案。
FPSO要求用于家庭发电的气体为30毫升。而且根据发展计划，若是决定加强提高回收效果，产生的气体中多达50%可以被注入。
该FPSO需要30毫升其国内发电和发展计划，高达50％的天然气产气可如果确定要注入提高采收率。
Lesson Nine The Trouble with Television 电视的毛病 The Trouble with Television 要摆脱电视的影响是困难的。 It is difficult to escape the influence of television. 假如统计的平均数字适用于你的话，那么你到20岁的时候就至少看过2万个小时的电视了，从那以后每生活10年就会增加1万小时。 If you fit the statistical averages， by the age of 20 you will have been exposed to at least 20，000 hours of television. You can add 10，000 hours for each decade you have lived after the age of 20. 笔起看电视，美国人只有在工作和睡眠上花时间更多。 The only things Americans do more than watch television are work and sleep. 稍微计算一下，使用这些时间的一部分能够做些什么。 Calculate for a moment what could be done with even a part of those hours. 听说一个大学生仅用5000小时就可以获得学士学位。 Five thousand hours， I am told， are what a typical college undergraduate spends working on a bachelor's degree. 在1万个小时内你能学成一个天文学家或工程师，流利掌握几门外语。 In 10，000 hours you could have learned enough to become an astronomer or engineer. You could have learned several languages fluently. 如果你感兴趣的话，你可能读希腊原文的荷马史诗或俄文版的陀思妥耶夫斯基的作品；如果对此不感兴趣，那你可以徒步周游世界，撰写一本游记。 If it appealed to you， you could be reading Homer in the original Greek or Dostoyevsky in Russian. If it didn't， you could have walked around the world and written a book about it. 电视的毛病在于它分散了人们的注意力。 The trouble with television is that it discourages concentration. 生活中几乎一切有趣的、能给人以满足的事都需要一定的建设性的、持之以恒的努力。 Almost anything interesting and rewarding in life requires some constructive， consistently applied effort. 即使是我们中间那些最迟钝、最没有天才的人也能做出一些事来，而这些事使那些从来不在任何事情上专心致志的人感到像是奇迹一般。 The dullest， the least gifted of us can achieve things that seem miraculous to those who never concentrate on anything. 但电视鼓励我们不做出任何努力，它向我们兜售即时的满足，它给我们提供娱乐，使我们只想娱乐，让时间在毫无痛苦中消磨掉。 But Television encourages us to apply no effort. It sells us instant gratification. It diverts us only to divert， to make the time pass without pain. 电视节目的多样化成了一种麻醉剂而不是促进思考的因素。 Television's variety becomes a narcotic ， nor a stimulus. 它那系列的、多变的画面引着我们跟着它走。 Its serial， kaleidoscopic exposures force us to follow its lead. 观众无休无止地跟着导游游览：参观博物馆30分钟，看大教堂30分钟，喝饮料30分钟，然后上车去下一个参观点，只是电视的特点是时间分配以分秒计算，而所选择的内容却多为车祸和人们的互相残杀。 The viewer is on a perpetual guided tour： 30 minutes at the museum， 30 at the cathedral， 30 for a drink， then back on the bus to the next attraction —-except on television.， typically， the spans allotted arc on the order of minutes or seconds， and the chosen delights are more often car crashes and people killing one another. 总之许多电视节目取代了人类最可贵的一种才能，即主动集中自己的注意力，而不是被动地奉送注意力。 In short， a lot of television usurps one of the most precious of all human gifts， the ability to focus your attention yourself， rather than just passively surrender it. 吸引并抓住人们的注意力是大多数电视节目安排的主要目的，它加强了电视是有利可图的广告的载体的作用。 Capturing your attention —and holding it—is the prime motive of most television programming and enhances its role as a profitable advertising vehicle. 节目安排使人生活在无休止的恐惧之中，唯恐抓不住人们的注意力——不管是什么人的注意力都担心。 Programmers live in constant fear of losing anyone's attention—anyone's. 避免造成这一局面的最有把握的办法就是使一切节目都保持简短，不要使任何人的注意力过于集中而受到损害，而要通过多样化、新奇性、动作和行动不断地提供刺激。 The surest way to avoid doing so is to keep everything brief， not to strain the attention of anyone but instead to provide constant stimulation through variety， novelty， action and movement. 很简单，电视的运作原则就是迎合观众的注意力跨度短这一特点。 Quite simply， television operates on the appeal to the short attention span. 这只是最简单的解决办法，但它逐渐被看作是电视这一宣传媒体特定的，内在固有的性质，是必须履行的职责，似乎是司令萨尔诺夫或另一个令人敬畏的电视创始人给我们传下了刻有铭文的石碑，命令电视上出现的一切节目均不得使观众需要片刻以上的注意力。 It is simply the easiest way out. But it has come to be regarded as a given， as inherent in the medium itself； as an imperative， as though General Sarnoff， or one of the other august pioneers of video， had bequeathed to us tablets of stone commanding that nothing in television shall ever require more than a few moments' Concentration. 要是运用得恰当，这倒也无可厚非。 In its place that is fine. 如此出色地把使人忘却现实的娱乐作为大规模推销工具加以包装，谁又能反对这样一种宣传媒介呢？ Who can quarrel with a medium that so brilliantly packages escapist entertainment as a mass-marketing tool？ 但是我看到了它的价值现已充斥于这个国家及其生活之中。 Rut I see its values now pervading this nation and its life. 认为快速思维和快餐食品一样影响着生活节奏很快、性情急躁的公众，这已成了时髦的看法。 It has become fashionable to think that， like fast food， fast ideas are the way to get to a fast-moving， impatient public. 在新闻方面，我认为这种做法不能进行很好的交流。 In the case of news， this practice， in my view， results in inefficient communication. 我怀疑电视每晚的新闻节目真正能够被人吸收和理解的有多少。 I question how much of television's nightly news effort is really absorbable and understandable. 其中许多被形象地描述为“机关枪不连贯地点射”。 Much of it is what has been aptly described as “machine-gunning with scraps.” 我认为这种技术是与连贯性作对的。 I think the technique fights coherence. 我认为它最终会使事情变得枯燥乏味、无足轻重（除非伴以恐怖的画面），因为任何一件事，如果你对它几乎一无所知，那么它差不多总会是枯燥乏味、使人觉得无足轻重的。 I think it tends to make things ultimately boring and dismissible （unless they are accompanied by horrifying pictures） because almost anything is boring and dismissible if you know almost nothing about it. 我认为，电视迎合观众注意力跨度短的做法不仅会造成交流不畅，而且还会降低文化水平。 I believe that TV's appeal to the short attention span is not only inefficient communication but decivilizing as well. 想一想电视要达到的那些极不慎重的原则吧：必须避免复杂性，用视觉刺激来代替思考，语言的精确早已是不合时宜的要求。 Consider the casual assumptions that television tends to cultivate： that complexity must be avoided， that visual stimulation is a substitute for thought， that verbal precision is an anachronism. 它可能已过时，但我所受的教育告诉我思想就是语言，是按准确的语法规则组织起来的。 It may be old-fashioned， but I was taught that thought is words， arranged in grammatically precise 在美国存在着读写能力的危机。 There is a crisis of literacy in this country. 据一项研究估计，约有3000万美国成年人是“功能性文盲”。他们的读写能力无法回答招聘广告，或读懂药瓶上的说明。 One study estimates that some 30 million adult Americans are “functionally illiterate” and cannot read or write well enough to answer the want ad or understand the instructions on a medicine bottle. 能读写可能算不上是一项不可剥夺的人权，但是我们学识渊博的开国元勋们并不感到它是不合理的或者甚至是达不到的。 Literacy may not be an inalienable human right， but it is one that the highly literate Founding Fathers might not have found unreasonable or even unattainable. 从统计数字上看，我们的国家不仅未达到人人能读写的程度，而且离这一目标越来越远。 We are not only not attaining it as a nation， statistically speaking， but we are falling further and further short of attaining it. 尽管我不会天真到认为电视是造成这一情况的原因，但我却相信它起了一定的作用，是有影响的。 And， white I would not be so simplistic as to suggest that television is the cause， 1 believe it contributes and is an influence. 美国的一切：社会结构、家庭组织形式、经济、在世界上的地位，都变得更为复杂，而不是相反。 Everything about this nation —the structure of the society， its forms of family organization， its economy， its place in the world— has become more complex， not less. 然而其占主导地位的传播媒介，全国联系的主要方式，却在人类存在的问题上推销简单的解决方式，而这些问题通常是没有简单的解决方式的。 Yet its dominating communications instrument， its principal form of national linkage， is one that sells neat resolutions to human problems that usually have no neat resolutions. 在我的心目中，那30秒钟一个的商业广告：一位家庭主妇因选对了牙膏而感到幸福的那小小的戏剧性场面就是这一切的象征。电视已使这极其成功的艺术形式成为我们文化不可缺少的一个部分了。 It is all symbolized in my mind by the hugely successful art form that television has made central to the culture，the 30-second commercial： the tiny drama of the earnest housewife who finds happiness in choosing the right toothpaste. 在人类历，几时曾有这样多的人共同把自己这样多的业余时间奉送给一件玩具，一项大众娱乐？ When before in human history has so much humanity collectively surrendered so much of its leisure to one toy， one mass diversion？ 几时曾有一个国家使自己整个地置于商品推销媒介的摆布之下？ When before has virtually an entire nation surrendered itself whole-sale to a medium for selling？ 几年前，耶鲁大学的法学教授小查尔斯？L？布莱克写道：“……被喂食本身并不是件琐碎小事。” Some years ago Yale University law professor Charles L. Black. Jr.，wrote：“…… forced feeding on trivial fare is not itself a trivial matter-” 我认为我们这个社会正在强行被喂食。 I think this society is being forced-fed with trivial fare， 我担心这一做法对我们的思维习惯，对我们的语言、我们努力的极限度及对复杂情况的兴趣等方面所造成的影响，这一点我们还只是极模糊地意识到。 and I fear that the effects on our habits of mind， our language， our tolerance for effort， and our appetite for complexity are only dimly perceived. 就算我的看法不对，用怀疑和批判的眼光来分析这个问题，来考虑如何抵制它，也不会有任何害处。 If I am wrong， we will have done no harm to look at the issue skeptically and critically，to consider how we should be resisting it. I hope you will join with me in doing so.
你确定是honor而不是horr?我觉得可能是书上面印刷错了吧，将horr错印刷成honor了，horr是恐怖的意思，honor是荣耀的意思,如果是horr就讲得通了。你自己再仔细看看那个单词，确定下
单词写错了，是horror
Lesson One Rock Superstars 关于我们和我们的社会，他们告诉了我们些什么？ What Do They Tell Us About Ourselves and Our Society？ 摇滚乐是青少年叛逆的音乐。 ——摇滚乐评论家约相？罗克韦尔 Rock is the music of teenage rebellion. —— John Rockwell， rock music critic 知其崇拜何人便可知其人。 ——小说家罗伯特？佩恩？沃伦 By a man's heroes ye shall know him. —— Robert Penn Warren， novelist 1972年6月的一天，芝加哥圆形剧场挤满了大汗淋漓、疯狂摇摆的人们。 It was mid-June， 1972， the Chicago Amphitheater was packed， sweltering， rocking. 滚石摇滚乐队的迈克？贾格尔正在台上演唱“午夜漫步人”。 Mick Jagger of the Rolling Stones was singing “Midnight Rambler.” 演唱结束时评论家唐？赫克曼在现场。 Critic Don Heckman was there when the song ended. 他描述道：“贾格尔抓起一个半加仑的水罐沿舞台前沿边跑边把里面的水洒向前几排汗流浃背的听众。听众们蜂拥般跟随着他跑，急切地希望能沾上几滴洗礼的圣水。 “Jagger，” he said， “grabs a half-gallon jug of water and runs along the front platform， sprinkling its contents over the first few rows of sweltering listeners. They surge to follow him， eager to be touched by a few baptismal drops”。 1973年12月下旬的一天，约1.4万名歌迷在华盛顿市外的首都中心剧场尖叫着，乱哄哄地拥向台前。 It was late December， 1973， Some 14，000 screaming fans were crunching up to the front of the stage at Capital Center， outside Washington， D.C. 美国的恐怖歌星艾利丝？库珀的表演正接近尾声。 Alice Cooper， America's singing ghoul， was ending his act. 他表演的最后一幕是假装在断头台上结束自己的生命。 He ends it by pretending to end his life – with a guillotine. 他的“头”落入一个草篮中。 His “head” drops into a straw basket. “哎呀！”一个黑衣女孩子惊呼道：“啊！真是了不起，不是吗？”。 “Ooh，” gasped a girl dressed in black. “Oh， isn't that marvelous？” 当时，14岁的迈克珀力也在场，但他的父母不在那里。 Fourteen-year-old Mick Perlie was there too， but his parents weren't. “他们觉得他恶心，恶心，恶心，”迈克说，“他们对我说，你怎么受得了那些？” “They think he's sick， sick， sick，” Mike said. “They say to me， 'How can you stand that stuff？'” 1974年1月下旬的一天，在纽约州尤宁谷城拿骚体育场内，鲍勃？狄伦和“乐队”乐队正在为音乐会上要用的乐器调音。 It was late January， 1974. Inside the Nassau Coliseum in Uniondale， New York， Bob Dylan and The Band were tuning for a concert. 馆外，摇滚歌迷克利斯？辛格在大雨中等待着入场。 Outside， in the pouring rain， fan Chris Singer was waiting to get in. “这是朝圣，”克利斯说，“我应该跪着爬进去。” “ This is pilgrimage，” Chris said， “I ought to be crawling on my knees.” 对于这一切好评及个人崇拜，你怎么看？ How do you feel about all this adulation and hero worship？ 当米克？贾格尔的崇拜者们把他视为上帝的代表或是一个神时，你是赞成还是反对？ When Mick Jagger's fans look at him as a high priest or a god， are you with them or against them？ 你也和克利斯？辛格一样对鲍勃？狄伦怀有几乎是宗教般的崇敬吗？ Do you share Chris Singer's almost religious reverence for Bob Dylan？ 你认为他或狄伦是步入歧途吗？ Do you think he – or Dylan – is misguided？ 你也认为艾利丝？库珀令人恶心而拒不接受吗？ Do you reject Alice Cooper as sick？ 难道你会莫名其妙地被这个奇怪的小丑吸引，原因就在于他表达出你最狂热的幻想？ Or are you drawn somehow to this strange clown， perhaps because he acts out your wildest fantasies？ 这些并不是闲谈。 These aren't idle questions. 有些社会学家认为对这些问题的回答可以充分说明你在想些什么以及社会在想些什么——也就是说，有关你和社会的态度。 Some sociologists say that your answers to them could explain a lot about what you are thinking and about what your society is thinking – in other words， about where you and your society are. 社会学家欧文？霍洛威茨说：“音乐表现其时代。” “Music expressed its times，” says sociologist Irving Horowitz. 霍洛威茨把摇滚乐的舞台视为某种辩论的论坛，一个各种思想交锋的场所。 Horowitz sees the rock music arena as a sort of debating forum， a place where ideas clash and crash. 他把它看作是一个美国社会努力为自己的感情及信仰不断重新进行解释的地方。 He sees it as a place where American society struggles to define and redefine its feelings and beliefs. 他说：“重新解释是一项只有青年人才能执行的任务。只有他们才把创造与夸张、理性与运动、言语与声音、音乐与政治融为一体。” “The redefinition，” Horowitz says， “is a task uniquely performed by the young. It is they alone who combine invention and exaggeration， reason and motion， word and sound， music and politics.” 作曲兼演唱家托德？伦德格伦对这个观点表示赞同。 Todd Rundgren， the composer and singer， agrees. 他说：“摇滚乐与其说是一种音乐力量不如说是一种社会心理的表现。就连埃尔维斯？普雷斯利也并非是一种伟大的音乐力量，他只不过是体现了50年代青少年那种心灰意冷的精神状态。” “Rock music，” he says， “is really a sociological expression rather than a musical force. Even Elvis Presley wasn't really a great musical force. It's just that Elvis managed to embody the frustrated teenage spirit of the 1950s.” 毫无疑问，普雷斯利震惊了美国的成人世界。 Of course Presley horrified adult America. 报纸写社论攻击他，电视网也禁止播他，但也许埃尔维斯证实了霍洛威茨和伦德格伦的看法。 Newspapers editorialized against him， and TV networks banned him. But Elvis may have proved what Horowitz and Rundgren believe. 当他通过电视上埃德？沙利文的星期日晚间的综艺节目出现在千百万人面前时，就引起了某种辩论。 When he appeared on the Ed.Sullivan Sunday night variety show in front of millions， a kind of “debate” took place. 多数年纪大的观众眉头紧皱，而大多数年轻观众则报以掌声欢迎。 Most of the older viewers frowned， while most of the younger viewers applauded. 摇滚乐评论家们说，从埃尔维斯到艾利丝，许多歌星帮助我们的社会解说其信仰与态度。 Between Elvis and Alice， rock critics say， a number of rock stars have helped our society define its beliefs and attitudes. 鲍勃？狄伦触动了对现状不满的神经，他唱到民权、核散落物以及孤独。 Bob Dylan touched a nerve of disaffection. He spoke of civil rights， nuclear fallout， and loneliness. 他唱到变革和老一代人的迷茫，他在歌声中唱道：“这儿正发生着什么事，你不知道是什么事，对吗，琼斯先生？” He spoke of change and of the bewilderment of an older generation. “Something's happening here，” he sang. “You don't know what it is， do you， Mr.Jones？” 其他人也加入了这场辩论。 Others entered the debate. 霍洛威茨说，甲壳虫乐队以幽默的方式，或许还借助麻醉品的力量来倡导和平与虔诚。傲慢无理、打架斗殴的滚石乐队成员要求革命。杰斐逊飞机乐队的歌曲“我们能够联合”和“志愿者”（有一场革命）则是激进青年的更进一步的两项声明。 The Beatles， Horowitz said， urged peace and piety， with humor and maybe a little help from drugs. The Rolling Stones， arrogant street-fighting men， demanded revolution. The Jefferson Airplane's “We Can Be Together” and Volunteers （Got a Revolution）“ were two further statements of radical youth. 但政治并不是60年代强硬派摇滚乐所辩论的惟一主题，始终作为任何音乐永恒组成部分的情感也是一个重要题目。 But politics wasn't the only subject debated in the hard rock of the sixties. Feelings， always a part of any musical statement， were a major subject. 詹妮丝？乔普林用歌声表达自己的悲哀。 Janis Jophin sang of her sadness. 甲壳虫乐队揭示出爱与恨之间的一系列的感情。 The Beatles showed there were a range of emotions between love and hate. 以后又出现了“乐队”乐队把乡村音乐和西部音乐所表达的较为传统的观念与强硬派摇滚乐较为激进的“都市”观念结合在一起。 Then came The Band， mixing the more traditional ideas of country and western music into the more radical “city” ideas of the hard rock. 霍洛威茨认为这一成分的乡村音乐帮助听众表达了一种“摆脱这一切”，“重返过去时光”的强烈愿望。 This country element， Horowitz feels， helped its audience express an urge to “get away from it all，” to “go back to the old day. 当前最能说明霍洛威茨看法的例子之一就是约翰？丹佛，他最的歌曲《阳光照在我肩上》、《高高的落基山》和《乡间小路》把民间摇滚乐的音乐灵魂与力量结合了起来，而歌词则赞美了“往日美好时光”的朴素的欢乐。 。“ One of the best current examples of what Horotwitz is talking about is John Denver. His most notable songs – ”Sunshine on My Shoulders“， ”Rocky Mountain High“， and ”Country Road“ – combine the musical drive and power of folk rock， while the lyrics celebrate the simple joys of ”the good old days.“ 这样的例子不胜枚举。 The list could go on and on. 这些摇滚乐音乐家们和所有的艺术家一样反映出我们借以认识并形成属于自己的感情与信念。 Like all artists， these rock musicians mirror feelings and beliefs that help us see and form our own. 我们以什么来回报他们呢？当然是掌声和赞美。 What do we give them in return？ Applause and praise， of course. 在1972年的一次全国民意测验中，10％的男高中生和30％以上的女高中生都说他们最崇拜的人是超级摇滚歌星。 In one 1972， national opinion poll， more than 10 percent of the high school boys and 20 percent of the girls said their hero was a rock superstar. 此外我们给他们金钱， 商业杂志《福布斯》认为，“当今成为百万富翁的捷径是当摇滚歌星。” We also give them money. “The fastest way to become a millionaire these days，” says Forbes， a business magazine， “is to become a rock 'n' roll star.” 今天的英雄们——至少其中一部分人——告诉我们，他们很喜欢所得到的报偿。 Today's heroes – some of them， anyway – tell us they enjoy their rewards. “我暗自嘲笑这些先生们和女士们，他们从没想到过我们会成为金娃娃。”演唱这支歌曲的是“文化英雄”艾利丝？库珀。 “And I laughed to myself at the men and the ladies. Who never conceived of us billion-dollar babies.” The particular “culture hero” who sings that is Alice cooper. 可是，仍然存在着一个大问题：为什么他是文化英雄？ The big question remains： Why is he a culture hero？ 他，或者当今任何其他走红的摇滚歌星能告诉我们些什么有关他们的歌迷的事情？ What does he – or any other current rock success – tell us about his fans？ 对于我们自己和我们的社会有些什么了解？现在怎样，过去如何，将来又将向何处去？ About ourselves and our society？ Where it is， where it was， where it's heading？